Oil Paintings
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Jean antoine Watteau French Rococo Era Painter, 1684-1721
He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
Jean antoine Watteau Gersaint s Shop Sign mk53
1720-1
Oil on canvas
166x306cm
Berlin,Schloss Charlottenburg
Painting ID:: 42066
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Jean antoine Watteau The rest in the flight to Egypt mk166
1715 I Wave on cloth 129x98cm Museum of the Ermitage,
San Petersburgo
Painting ID:: 53833
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Jean antoine Watteau Figures from the Italian Commedia dell arte mk234
probably 1720
63x76cm
Painting ID:: 56710
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Jean antoine Watteau avfarden till kythera mk248 kytbera ar i grekisk myt den karlekens o dar afrodite foddes, ocb dit pilgrimer beger sig ocb aldrig aterses, den pastorala miljon antyder orealistiska drommar om att undfly formalismens tvangstroja till forman for spontanitet. spanningen mrllan bikdens alskande ar subtil daras kroppskontakt framstar som flyktig men drakternas siden ocb sammet ar f orforiskt taktilt atergivna.
Painting ID:: 56711
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Jean antoine Watteau gilles mk248 det ar mojligt att eatteau malade dan bat duken som reklamskylt till det cafe som agdes av belloni. en skdespelare som spelade den melankoliske commedia dell arte gestalten pierrot. genom att stalla den allvarsamme gilles i kontrast med bakgrundens uppsluppna gestalter placerar watteau bonom i en egen, isolerad ocb farflos varld. vid det bar verkets tillkomst var eatteau svart sjuk i tuberkulos ocb sannolikt mycket medveten om det faktum attalla varldens gladjeamnen ar snabbt overgaen de.
Painting ID:: 57267
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Jean antoine Watteau The base Shirra island goes on a pilgrimage mk255 for in 1717. Canvas 1.29 x 1.94 meters high. Paris, the Louvre
Painting ID:: 57268
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Jean antoine Watteau Pierrot mk255 for in the years 1718-1719. 1.85 x 1.50 meters canvas. Paris, the Louvre
Painting ID:: 66058
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Jean antoine Watteau Vergnegen im Freien (Amusements champetres), Detail c. 1718
Oil on canvas
Painting ID:: 67608
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Jean antoine Watteau Antoine Watteau Technique English: Oil on canvas
Deutsch: Öl auf Leinwand
Italiano: Olio su tela
Polski: Olej na płetnie
Dimensions 51,3 X 59,4 cm
Painting ID:: 67615
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Jean antoine Watteau Antoine Watteau Technique Oil on canvas
Dimensions 97 X 116 cm (38.19 X 45.67 in)
Painting ID:: 68448
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Jean antoine Watteau Franzosische Komodianten ca. 1720(1720)
Oil on canvas
57 ?? 73 cm (22.44 ?? 28.74 in)
Painting ID:: 68774
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Jean antoine Watteau Das Ballvergnegen ca. 1717(1717)
Oil on canvas
52.7 X 65.7 cm (20.75 X 25.87 in)
Painting ID:: 68777
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Jean antoine Watteau Der Tanz c. 1710-1720
oil on canvas
97 X 116 cm (38.19 X 45.67 in)
Painting ID:: 68865
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Jean antoine Watteau Das Liebeslied 51,3 X 59,4 cm
Oil on canvas
c. 1717
Painting ID:: 69056
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Jean antoine Watteau Das Ballvergnegen c. 1717
oil on canvas
Painting ID:: 69065
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Jean antoine Watteau Die italienische Komodie c. 1718
oil on canvas
Deutsch: 37 X 48 cm
Painting ID:: 70955
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Jean antoine Watteau Die Schafer Medium Oil on canvas
Dimensions 56 x 81 cm
Painting ID:: 72602
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Jean antoine Watteau Les deux cousines Les deux cousines, c. 1717-1718, Musee du Louvre, Paris
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Painting ID:: 76040
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Jean antoine Watteau Happy Age. Golden Age oil on panel painting by Jean-Antoine Watteau
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Painting ID:: 91039
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Jean antoine Watteau Der Gleichgutige Oil on canvas
Dimensions 26 x 19 cm (10.2 x 7.5 in)
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French Rococo Era Painter, 1684-1721
He is best known for his invention of a new genre, the f?te galante, a small easel painting in which elegant people are depicted in conversation or music-making in a secluded parkland setting (see under F?TE CHAMP?TRE). His particular originality lies in the generally restrained nature of the amorous exchanges of his characters, which are conveyed as much by glance as by gesture, and in his mingling of figures in contemporary dress with others in theatrical costume
